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SELECTED WRITINGS BY THE ARTIST
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‘Warm Farewell, Edmund Capon (11 June 1940-13 March 2019)’, Art + Australia Online |
| 'John Young: Eternal Transformation' for Eternal Transformation exhibition catalogue, Philip Bacon Galleries 25 August - 19 September 2015 |
| ‘Phaptawan Suwannakudt: Wakeful Moment’ for Catching the Moment: Each Step is the Past, 4A Centre for Contemporary Asian Art, Sydney. Published in Last Words, 4A Centre for Contemporary Asian Art, Sydney, 2010, pp. 108-115 |
| ‘Locality Flux’, (On Fluxus), Like Magazine, Faculty of Art, Design & Communication, Royal Melbourne Institute of Technology, No. 13, Summer issue, Melbourne, 2000, pp.16-20 |
| 'David Strachan: Two Women in a Landscape', Artist's Choice, Art & Australia, 36, No. 1, September issue, 1994, pp. 56-57 |
| ‘Propositions for the Polychrome Paintings’, Kerb Your Dog, No. 12, Sydney, 1992 |
| 'Run the Bastards Over!' with Terry Blake, ZX, No. 10, Winter issue, Sydney, 1984 |
| 'The Life of Energies (for Nikola Telsa and the early Oswald Spengler)', On The Beach, No. 2, Sydney, 1983 |
| 'Anything Still', Art & Text, No. 1, Melbourne, 1983 |
| 'The Disguised Saint: Bragaglia' with Terry Blake, Photo-Discourse, 1982 |
| 'From Three Facts to', Art & Text, No. 4, 1982 |
| 'On Some Alternatives to the Code in the Age of Hyperreality, the Hermit and the City Dweller' with Terry Blake, Art & Text, No. 2, Winter issue, 1981 |
SELECTED WRITINGS ABOUT THE ARTIST
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Genevieve Trail, ‘Plurality of Memory: History Projects, Diaspora and Nationalism’, Di’van | A Journal of Accounts, 8, September 2020 |
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Cher Tan, ‘Interview #115 - John Young Zerunge’, Liminal Magazine, 22 September 2019 |
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Lauren Carroll HARRIS, ‘The riots history erased: reckoning with the racism of Lambing Flat’, The Guardian, 7 August, 2018 |
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John CLARK, ‘John Young: Painting Simulacra and a Re-envisaged History’, in Zhang Dali Permanence and Impermanence, China Nationality Art Photograph Publishing House, 2017 pp. 131 – 151 |
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Robert C. Morgan, 'John Young at Pearl Lam Galleries' Art China, Issue 5, June 2016, pp. 84 - 85 (Chinese Version) Yasmin Nguyen, 'Through the Eyes of the Wolf: John Young Interview', Vault, Issue 3, April 2013, pp.24-27 |
| Jacqueline Lo, 'Diaspora, Art and Empathy', John Young: The Bridge and the Fruit Tree - A Survey', Drill Hall Gallery, Australian National University, 2013, pp. 19-43 |
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Dr Carolyn Barnes, 'Aesthetics and Memory Work in the Recent Painting of John Young', John Young: The Bridge and the Fruit Tree - A Survey', Drill Hall Gallery, Australian National University, 2013, pp. 55-65 10 Chancery Lane, 'In Conversation with John Young: The Macau Days 2012' |
| Sheridan Palmer, 'The Language of Inheritance', The National Library Magazine, March 2012, pp. 22-24 |
| Thomas J. Berghuis, 'John Young: Situational Ethics', Art & Australia, 48, No. 3, Autumn 2011, pp. 440-443 |
| Sylvia Dominique Volz, 'John Young / Bonhoeffer in Harlem', John Young / Bonhoeffer in Harlem, Alexander Ochs Gallery and St Matthaus-Kirche, Berlin, July 2009, pp.59-91 |
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Carolyn Barnes, 'Towards a layered imaginary', John Young, Craftsman House Thames and Hudson, 2005, pp. 25-67 |
| John Clark, 'Introduction', John Young: Three Propositions, Pruss & Ochs Gallery, Berlin, 2003, pp.12-19 |
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