PROJECTS

HISTORY PROJECTS

OPEN MONUMENT

MODERNITY'S END: HALF THE SKY

SCHINDLER

NONE LIVING KNOWS

THE BURRANGONG AFFRAY

1866 THE WORLDS OF LOWE KONG MENG AND JONG AH SIUG

THE MACAU DAYS

THE NEW WOLF OF ROME

SAFETY ZONE

BONHOEFFER IN HARLEM

1967DISPERSION

OPEN WORLD

ABSTRACT PAINTINGS

SURVEY EXHIBITIONS

PAINTING SERIES

DOUBLE GROUND PAINTINGS

EARLY WORKS

THE BURRANGONG AFFRAY

Works 1  2  3  4  5  


The Burrangong Affray, 2018 by John Young

The Burrangong Affray, Winter, 2018

Install shot




THE BURRANGONG AFFRAY
4A Centre for Contemporary Asian Art Sydney, 29 June-12 August, 2018


Between November 1860 and September 1861 the New South Wales goldfields of Burrangong, near the present day township of Young, was the site of Australia’s largest racially motivated riot. Rising antagonism over gold mining disparities and cultural habits saw trivial misunderstandings intensify into racial tensions that erupted into violence across the goldfields. Over 10 months, Chinese miners were subjected to threats, robbery and sustained acts of violence. This anti-Chinese sentiment had swept through the goldfields of Victoria in the 1850s and by the early 1860s had reached a flashpoint in New South Wales, provoking public opinion and debate. In Sydney, the NSW Parliament responded to the contention by passing legislation to restrict Chinese immigration and began, alongside Victoria and South Australia, to write the prelude to the White Australia Policy.

Through a series of residencies in Young and surrounding historical sites, Chinese-Australian artists Jason Phu and John Young Zerunge trace the events and repercussions of this period of civil disobedience. Supported by historian Dr Karen Schamberger, the artists’ research-led practice interweaves these accounts of history to create contemporary mediations that reflects upon the forces of identity, economics, race and otherness in Australia today. This collaborative history project will bear a legacy publication.